open-standards/wai/extensions/spatial-audio.md

WAI Extension: Object-Based Spatial Audio

Status: Draft. Phase 1 of the cargo roadmap. The audio analog of interactive-worlds: ship sound objects + a scene, render to the listener's own layout. Conformance is mixdown-equivalence (bit-exact PCM for a declared layout), the audio counterpart of replay-equivalence. Reference impl: the audio_scene feature of wai-rs (mixer + receipt); conformance corpus: audio-conformance/; live sink: /audio. Keywords MUST, MUST NOT, SHOULD, MAY are RFC 2119/8174.

1. Scope and model

A wai.audio.scene object describes a set of audio objects — each a content-addressed source plus a position trajectory and gain — that a sink renders to its own speaker layout. Today's audio ships a fixed channel mix (stereo, 5.1); this ships the scene and lets the sink make the mix it can actually play. It is lever 3 (instructions-at-the-sink) for hearing.

In scope: the scene container, the deterministic mixdown render contract, the mixdown-equivalence conformance criterion, the fallback floor, and the receipt profile.

Out of scope: a transport; the source codecs (sources are ordinary wai.audio.* WAI objects, decoded by the existing path); HRTF design (an HRTF is named as a requirement-of-existence, never shipped).

Relationship to the core spec: this mirrors interactive-worlds exactly. A scene is a content-addressed artifact; sources are content-addressed WAI assets (§4.1 discipline, domain wai:asset\x01); the render is deterministic under a declared numeric profile; receipts are a JWP group profile. media takes the informational value "audio-scene"; the capability wai.audio.scene is authoritative.

2. Container (WSCN)

"WSCN" | u16 n_sections | section table | sections
        | n × (u8 kind, u32 off, u32 len), 8-byte-aligned bodies

kind	section	required
0x01	scene contract (canonical JSON)	REQUIRED
0x02	object table	REQUIRED
0x03	asset table (§4.1, the source wai.audio.* objects)	REQUIRED
0x04	seal: duration + final mixdown hash + Ed25519 sig	OPTIONAL (a sealed scene pins its reference mix)

Unknown section kinds MUST be ignored (forward compat within MINOR).

2.1 Scene contract (canonical JSON)

{
  "sample_rate": 48000,
  "numeric":     "wai.det.fixed64",
  "pan_law":     "wai.audio.pan.sqrt_constpower",
  "distance":    "wai.audio.dist.inverse_clamped",
  "duration":    240000,
  "floor_layout":"stereo"
}

numeric is the same Q32.32 fixed-point floor as worlds — the mixdown is bit-exact on every machine. floor_layout (stereo) is the mandatory render target; richer layouts (5.1, binaural@<hrtf-id>) are OPTIONAL and, for binaural, perceptual (the HRTF is a requirement-of-existence, not bit-exact across HRTFs).

2.2 Object table

n_objects u32, then per object:

source_hash (32 B)        // content hash of a wai.audio.* WAI envelope (asset table)
gain        (i64 Fx)
n_keys      (u16)
keys: n × ( pos_sample u64 | x i64 | y i64 | z i64 )   // listener-relative position, Fx metres

Position between keyframes is linear-interpolated in Fx (so it is reproducible). One keyframe ⇒ a static source.

3. Render contract (mixdown)

For output channel c and sample t, in Fx:

out[c][t] = Σ_objects  src_o[t] · gain_o · dist_atten(|p_o(t)|) · pan_gain(p_o(t), c)

• src_o[t]: object o's source as mono PCM at sample_rate. v0 requires sources already at sample_rate (a deterministic resampler is a registered sub-detail, not yet in the reference impl).
• dist_atten(d) = 1 / (1 + d) clamped to [0,1] (inverse_clamped), where d = sqrt(x² + y² + z²).
• pan_gain for sqrt_constpower stereo — chosen to be exactly computable in the Fx floor (sqrt only, no transcendental tables): pan = clamp(x / (|x| + |z|), -1, 1) (0 when |x|+|z|=0), then gL = sqrt((1 - pan)/2), gR = sqrt((1 + pan)/2) — constant power (gL² + gR² = 1).
• Accumulate in Fx, then quantize to the canonical output (interleaved i16 LE) by round-half-away-from-zero in integer space.

4. Conformance — mixdown-equivalence

Given the same scene and the same declared output layout, a conforming sink MUST produce the identical canonical PCM, hence the identical BLAKE3 over it — on every machine, with no tolerance parameter.

mixdown_hash = BLAKE3("wai:audio-mixdown\x01" || layout_id || pcm_i16le)

The stereo floor is mandatory and bit-exact. binaural@<hrtf> is perceptual (conformance is similarity, not bytes — a sink advertising it states the metric, like the wai.semantic.* path). The conformance corpus ships scenes + the expected stereo mixdown hash; pass = hash equality.

5. Fallback floor

model_requirement.fallback SHOULD name wai.audio.opus (or flac), and the encoder SHOULD ship the WAI2 multi-rendition form: the scene plus a pre-rendered stereo recording. A sink without the scene runtime plays the recording. Scene-capable sinks render to their real layout; below-floor sinks hear a fixed mix — both opened one envelope.

6. Session receipts (JWP profile)

A render session receipts as a JWP group (jwp-receipts.md) — the worlds SessionReceipt transposed to audio (SceneReceipt in the reference impl):

• identity scene_hash = BLAKE3("wai:audio-scene\x01" || contract_bytes || object_table_bytes) (the world_hash analog).
• the group's objects = the rendered mix's PCM blocks (fixed span of frames), each BLAKE3("wai:audio-block\x01" || block_index || i16le), Merkle-bound with JWP's exact leaf/node domains.
• one Ed25519 signature over a profile payload carrying scene_hash, the Merkle root, the block list, work_mac (= output samples × objects mixed — exact, signed) and joules_micro (carried; the native wai_world_meter pattern supplies a measured figure, 0 if unmetered).
• parent_receipt_hash chains successive renders into an append-only signed timeline, exactly as worlds' receipts do.

Appendix — why this is the cleanest first cargo class

Mixdown-equivalence is replay-equivalence with the tick replaced by the audio sample; the Fx floor, the content-addressed assets, the seal, the receipt profile, and the fallback floor are all reused verbatim. A spatial-audio scene is, structurally, a world whose "sim" is a mixer — which is exactly why it proves the interactive-worlds thesis generalizes to a second sense.